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From Cigar Box To The Basement of a Church
a history of KALX radio
KALX began its life in a one-room country shack in the backwoods of
Tennessee. Okay, not really. KALX began its life in a cigar box in the
dormitories of UC Berkeley in the Spring of 1962. Yes, really: a cigar box
was used to build the first on-air board used by Radio KAL.
Radio KAL (whose mark can still be seen stenciled on parts of our
voluminous record collection) was a carrier-current station broadcasting
on 850 KHz, through the metal pipes of the dorms. The station's first
programming came from a transmitter in Ehrman Hall, constituting 4 hours
of classical music from Sunday through Thursday. Weekend programming
didn't start until Spring of 1963.
Early on, Radio KAL stated the mission that has served KALX to this
day:
"Radio KAL offers a wide variety of entertainment and
information programs. Rather than attempt to hold the
attention of a small segment of audience most of the
time, as is the practice in commercial AM broadcasting,
we offer a wide variety of program content."
By 1966, Radio KAL had been relocated to the basement of Dwinelle Hall,
in the midst of the language labs. By Spring of that year, the UC
Regents and Berkeley's chancellor were starting to think about applying
for a broadcast frequency. Inquiries to the FCC suggested that the
last available channel in the Bay Area had already been assigned.
With no frequencies to be found, Radio KAL and the university's
communications engineer began researching other possibilities: time
sharing with another station, challenging the renewal application of
another station, getting the FCC to change the overall channel
allocation in the area, and performing a more detailed engineering
study of the coverage of existing stations.
The latter attempt hit paydirt: channel 211 (90.1 MHz) would allow
for a 10-watt station in the Berkeley area. The application to the
FCC requested the calls "KALS" or "KALZ". Only one snag was known:
Stanford's KZSU was also positioned at 90.1 MHz, and rumored to be
thinking of applying for a power increase. Berkeley's application
required the placement of a public notice, and hoping that Stanford's
KZSU wouldn't see it, station staff suggested placing the notice in
the Berkeley Barb or the Sexual Freedom League's "Love". The
university was thinking more in terms of the Chronicle or the Examiner.
A compromise was struck, and the notice was placed in the daily
Berkeley Gazette.
Before the FCC granted UC Berkeley a 10 watt license at 90.1 MHz, KZSU
applied a protest in anticipation of their power increase request. At
the same time, KANG (in Angwin, CA) at 89.9 filed for a 20,000 Watt
signal, which would have spelled the end of Berkeley's attempt for a
license at 90.1. A competitive hearing is set up between UC Berkeley
at KANG for later in the year, and in the meantime, an attempt was
made to find Berkeley another frequency.
Soon after, the engineers at Stanford discovered that KCSM-FM, 91.1 MHz
is erroneously listed as being 3800 watts at 1800 feet, when it is actually
350 watts at 750 feet. Recalculations show that two frequencies, 91.1
and 90.7 are available. The University applies for 91.1, but under
FCC advisement amends the application to request 90.7.
In typical KALX fashion, everything runs a bit late. The original
transmitter arrives in November of 1966, and the station expects to make
its first broadcast by February of 1967. The first actual broadcast is
not made until October 3, 1967. The actual broadcast license is
issued on October 31 - Halloween.
The early 70s were a tumultuous time on the Berkeley campus, and within
KALX tensions were also rising. Staff elections in Spring of 1972 led
to charges and counter-charges between staff factions, and by the time
of the Summer break in June, KALX was headed for a 7-month blackout.
In Fall elections a compromise slate of candidates wins the Executive
Committee elections, but before the station can sign-on, vandals
damage the transmitter, and the FCC declares that other station
equipment needs upgrading. KALX is off the air until February of
1973.
During the summer hiatus of 1974 more equipment is stolen. By Fall,
KALX receives the bad news that it will have to give up its space in
Eshelman Hall, and by February of 1975 the station learns that it will
have to leaves its Dwinelle Hall studios as of June. The station is
given the choice of moving to the basement of the Norton Hall dorm or
moving "up the hill" to the Lawrence Hall of Science.
The dedication ceremony for the LHS studios (which, typically, followed
the actual sign-on from the location by several months) is April 30,
1976. At some point the transmitter moved up the hill to its present
site next to LHS, greatly increasing the station's line-of-sight, and
hence its range.
In April of 1978 KALX became the first college station in the world to
act as a flagship for a major-league sports franchise. Larry Baer (now
a VP with the San Francisco Giants) and Bob Kozberg broadcast the
Oakland A's opening game from Anaheim, CA. By May of that year, A's owner
and showman had found a commercial station to take on the broadcasts,
and KALX bid farewell to the A's. It was an exciting time, running the
board in the studio and answering the phone calls of irate A's fans who
couldn't pick up our 10-watt signal in Oakland!
1981 marked the beginning of KALX's power drive - a fundraising drive
aimed at boosting the station's broadcast power. In 1982 the offices and
broadcast studios were consolidated at 2311 Bowditch, and in July of
that year the station boosted its power to its current level of 500
watts. In our most recent move, KALX has returned its office and studios
to the Berkeley campus, relocating ourselves to 26 Barrows Hall.
Over the years, KALX has moved from a carrier current station to a 10-watt
monophonic signal to its current 500 watts of stereo. We've worked our way
through all manner of on-air and production equipment (including a
wonderful on-air board from the old studios of KYA), and amassed
one of the largest record and CD collections on the West Coast. We've
launched our share of broadcast and record industry professionals, and
minted a few non-commercial legends.
-Eli Messinger, 1/96
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